Eulogy for Western Culture Essays - Literature, Poetry, Eliot Family

Eulogy for Western Culture Essays - Literature, Poetry, Eliot Family Eulogy for Western Culture World War I brought about the most profound and impactful paradigm shift in Western culture since the Enlightenment, and Western culture still feels the ripples of its impact a century later. World War I was the deadliest war of its time in terms of both the number of casualties and the destruction of European cities and countryside. If the fatalities from the Spanish Flu, wh ich spread so widely as a direct result of the war, are included, WWI is the deadliest war the world has ever seen. Yet, o ut of this staggering loss came some hope. World War I accelerated the process of globalization that began in the 18 th Century , and this triggered an economic boom . However, t his new globalization , along with political mishaps at Versailles , set up the world for the Great Depression, World War II, and the Cold War. World War I sent the West into a new and chaotic world. Some found it exciting, while others found it horrifying. Ma ny lauded the e conomic and cultural boom of this post-war world; however , others mourned the straying from old traditions and values and felt that this cultural shift was a simple decline in morals. T.S. Eliot doubtlessly held the second opinion . In his 1922 poem The Waste L and , Eliot laments the decline of Western culture and intelligence and assigns the blame to people straying from tradition and religion to instead busy themselves with immoral activities, especially sex. However, Eliot also advises that there is hope for change if people will rectify their values. This essay will examine how Eliot uses The Waste Land to express both his disappointment and advice for Westerners after World War I by dissecting the symbolism infused in the poem . The Waste L and reflects the destruction and desolation of post-war Europe, both physically and culturally. In the poem, the waste land is physically desolate. Before one even begins reading, the title itself conjures an image of a broken land much like Europe's post-war landscape marred by trenches, bombs, and death. A lthough the physical devastation of Europe was staggering, the physical state waste land primarily serves as a metaphor for the state of Western culture : an intellectual and moral waste land. The primary features of the waste land are its dryness and pollution , and these represent the intellectual and moral decay of the West. The pollution of the waste land represents the disrespect that people were showing for their culture . T he land is filthy, and the nouveau-riche litter their houses with gaudy decor. The setting for part of the poem is London, and "brown fog," or smog from industrial waste, covers the city (70). Smog is a particularly apt symbol because it is completely encompassing. It hangs over a n entire city, or an entire cu lture. Wherever one looks, there is smog; wherever Eliot looks, there are magazines, dime novels, and movies. Similarly, light does not penetra te smog that is so thick that it appears to be brown. Refined culture and entertainment -like literature, plays, and symphoniescannot penetrate the smog' of pop culture. The famous Thames River that runs through London is also in a sorry state. It is so extraordinary for the Thames to be clean that it must be pointed out that "no empty bottles, sandwich papers, / [s]ilk handkerchiefs, cardboard boxes, [or ] cigarette ends" run float in it (175-176). Nevertheless, rats infest its bank s . Bodies of water are integral parts to civilization. Just as the Nile is synonymous with Egypt, the Thames is a symbol of London. If the Thames is polluted, London is polluted. Further, while yes, London is polluted with industrial emissions and litter, the grime primarily serves as a symbol for the pop culture that is polluting Western culture . This pollution is not necessarily ugly. The mansion in "A Game of Chess" is quite beautiful . A "candelabra," "jewels," "ivory," "marble," and "satin" decorate the interior ( 78-86) . However, the decor is ostentatious. It shows that the mansion's owners, the new wealth' of the West, do not have good taste.

Make Way for New Words

Make Way for New Words Make Way for New Words Make Way for New Words By Mark Nichol The Oxford English Dictionary has an insatiable appetite for new entries: Every three months, it expands its inventory with dozens of words. A recent newspaper article, however, sensationalized recent acquisitions by selectively announcing a pile of pop-culture-inspired terms, missing the whole point of a dictionary. The OED, like most other dictionaries, is descriptivist: It describes the state of the language. Some descriptivist resources weigh in on the formality of given entries, or their acceptability by a panel of language experts. The procedure for approving candidate terms for inclusion varies, as dictionary staffs differ on how long a term should have been in general circulation before it earns the stamp of approval. But dictionaries do not include or omit words based on their quality. So, withhold your outrage when you read that you can now find such entries as bromance (a close friendship between two men), guyliner (eyeliner worn by a man), and mankini (a man’s one-piece bathing suit with shoulder straps). The apocalypse is not nigh. The OED is merely reflecting usage. (Well, OK, maybe the apocalypse is nigh.) But wait, you argue. You wouldn’t be caught uttering or penning one of those words, inducted into the OED in 2011. My rebuttal? I deduce that you are over twenty-five years old. Well, yes, you might reply as is a majority of the world’s English-reading population. That’s true, and many people born in the last twenty-five years would probably be embarrassed to employ one of these terms in conversation, too. But many folks of all ages know these words they’re in our word-hoard, whether we choose to speak or write them or not. And though some may turn out to be ephemeral, the OED has rightfully catalogued them as being in current usage. Here are a few terms added in the most recent round that I predict might have more staying power than those listed above: Cybercast: an online audiovisual broadcast Paywall: an online system that restricts access to those who pay a subscription Super PAC: a political action committee with restrictions on funding as long as specific political candidates are not the recipients In the What Took You So Long category are such terms as blacktop, a verb describing the process of paving a surface (the noun form already existed in the OED’s pages), earthlike (self-explanatory), and supertitle, the word for transcribed or translated text displayed above a stage or on a screen. In the Department of Redundancy Department category is bimble, a synonym (primarily used in British English) for amble or meander. But English is replete with multiple words with the same meaning, so bring it on. An honorable mention, for clever coinage, goes to aptronym, the word for a personal name usually humorously or ironically suited to the person, such as in the case of an undertaker named Grimm or a clumsy woman named Grace. Whether you love or hate each of these terms or the hundreds of others being poured into dictionaries each year, keep in mind that although inclusion does enhance the possibility that they will be used more often, the realm of English is a free country, and you are welcome to accept or reject them in your own writing. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:Math or Maths?"Replacement for" and "replacement of"People vs. Persons